By the way, when you see a chord progression the goes Cmin - CminMaj7 - Cm7, you can usually think of the minMaj7 as the V7 (in the case of C, it would be G7).īut remember, ultimately, it has to sound good. You can also use other extensions, so that a Gmaj triad played over a Cmin chord equals CminMaj9. So CminMaj7 has Cmin and Eb+ (which also happens to be G+ and B+). For instance, within a minMaj7 chord lies two triads: a minor and an augmented. I will leave it up to you to figure out how to make these chords, but I will say that you need to think smaller and creatively and use your ears to see if they work in context. If you look at a melodic minor scale harmonized in thirds, you'd get This is called melodic minor harmony and its applications are very wide ranging.
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